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home about the rainy day the future revealed at primer eu eamonn fitzgerald • monday, 20 august, 2018 “the futures are made. but how, where and by whom?” that’s the working title of primer eu , a “conference dedicated to… bringing together the leading minds in futures design thinking and doing.” it takes place in helsinki on 10 and 11 september and going by the list of speakers and their topics, the future is here but it’s not evenly distributed. appropriately, the morning keynote, titled ” all future everything”, will be delivered by a futurist, monika bielskyte , and she’ll be followed by nicolas nova and fabien girardin, the european half of the near future laborator y. they’ll talk about “design fiction in the fake news era.” topical, that. next up is johanna schmeer , an artist and designer from berlin. her talk has a prize-winning title: “xenodesignerly ways of knowing.” another designer, noteh krauss , from san francisco, will be talking about “future making: politics and aesthetics in kazakhstan.” it’s all about the “histories, politics, design fictions, and mythologies” of president nursultan nazarbayev’s futuristic capital, astana. by the way, he’s been president of kazakhstan since the office was created in 1990 and he intends to keep it that way. simone rebaudengo is a designer based in shanghai and he’s going to talk about yeast, a future food laboratory that “imagines products and companies that will improve living through food and technology.” and then it’ll be time for supper, but before the knives and forks come out, scott smith of changeist will round off the talking with a public discussion about “trust in futures practices.” futurism increasingly affects strategic innovation and policymaking and it’s good to debate it’s validity. is it reliable. or is it charlatanism? it’s a cliché to quote william gibson in these situations, but here goes: “the future is already here — it’s just not evenly distributed.” tweet all ireland hurling final: galway vs. limerick eamonn fitzgerald • sunday, 19 august, 2018 it’s sunday, 19 august, and 82,000 hurling fans, including family and friends, will trek today to croke park in dublin to watch this year’s all ireland final between galway and limerick. it should be a wonderful occasion and the hope here is that, when “all doing is done”, as the poet desmond o’grady put it, limerick will win its first title since 1973. breaking : limerick 3-16 galway 2-18 . up limerick, all ireland hurling champions 2018! desmond o’grady was born in limerick in 1935. he moved to paris in the 1950s, where he worked in the shakespeare and company bookshop. he earned his ma and phd from harvard university and appeared in the 1960 fellini film, la dolce vita , playing the role of an irish poet. during the late 1950s to the mid-1970s, while teaching in rome, he was european editor of the transatlantic review . a song of limerick town we, in the fishblue hours of clockstrike early morning; sleep in the househuddled doors of our eyes, love in our yawning; stole through the sailorless streets of the still, caught-cuddling town, where seabedded fishing fleet sleeps fast in the arms of ‘down anchors, all hands ashore. and now, here with the bulk of our talk from the hours before, here with the sulking hulks of ships, when no bells fore or aft will bang in the ears of morning and the town clock hoarsely churns its gears. we are made one. i with the man of the limerick town and you with the shannon stream; made one till all doing is done. desmond o’grady (1935 – 2014) tweet jg ballard and rage of the angelas eamonn fitzgerald • saturday, 18 august, 2018 in his latter days and in his final works, the great jg ballard , who died in april 2009, focussed on how bored (and boring) materialism and media have made people. it’s not surprising, ballard said, that the educated would do things like take to the streets in favour of dictators, support terror groups, denounce freedom and join crazed movements. and wasn’t he the prophet! ballard lampooned all this brilliantly in millennium people . here, the narrator has infiltrated a middle-class “antifa” group and attends a protest against a cat show in london with angela, a revolutionary: angela stared across the road with narrowed eyes and all a suburbanite’s capacity for moral outrage. walking around the exhibition two hours earlier, i was impressed by her unswerving commitment to the welfare of these luxurious pets. the protest rallies i had recently attended against globalisation, nuclear power and the world bank were violent but well thought out. by contrast, this demonstration seemed endearingly quixotic in its detachment from reality. i tried to point this out to angela as we strolled along the line of cages. “angela, they look so happy. they’re wonderfully cared for. we’re trying to rescue them from heaven.” angela never varied her step. “how do you know?” “just watch them.” we stopped in front of a row of abyssinians so deeply immersed in the luxury of being themselves that they barely noticed the admiring crowds. “they’re not exactly unhappy. they’d be prowling around, trying to get out of the cages.” “they’re drugged.” angela’s brows knotted. “no living creature should be caged. this isn’t a cat show, it’s a concentration camp.” “still, they are rather gorgeous. “they’re bred for death, not life. the rest of the litter are drowned at birth. it’s a vicious eugenic experiment, the sort of thing dr. mengele got up to.” satire is our only defence against the angelas of this world. what a tragedy jg ballard is not with us now to write about the scourge of “identity politics.” tweet the italian puzzle eamonn fitzgerald • friday, 17 august, 2018 the decision by the lega serie a to postpone sunday’s planned games between sampdoria and fiorentina and ac milan and genoa is fitting. the ponte morandi was the main way to drive through the city and countless football fans have used it in the six decades since it was built. football, which offers entertaining distraction in troubled times, cannot, this time, escape from the shadow of the collapsed bridge, and only its prompt restoration or replacement will satisfy genoa now. the contradictions that italy presents to the world are bewildering. on the one hand, we have the tragic crumbling of a bridge completed in 1967 and, on the other, the colosseum , which was built 1,938 years, ago continues to stand and astonish. videographer kirill neiezhmakov from kharkiv in northeast ukraine explores the italian puzzle in “milan in motion”. as he says: “with massive urban sprawl and a reputation for being the cold lombard capital, milan doesn’t feel like a quintessentially italian metropolis, with settlers from all over the country making their home here, visitors will find all of italy in one city.” tweet madonna at 60: take a bow eamonn fitzgerald • thursday, 16 august, 2018 take a bow is a track from madonna’s sixth studio album, bedtime stories (1994), and the story of the song’s video says so much about madonna (happy 60th birthday today!) and her impact on the worlds of music, fashion and culture. the clip was directed by michael haussman and filmed in ronda in southern spain. madonna arrived in the city in november 1994 with a team of 60 people and wanted to shoot at its most famous bullring, the plaza de toros de ronda . her request was rejected by the real maestranza de caballería de ronda , however, who considered it a desecration of the arena, since her name was associated with provocative sexual imagery. the refusal was unpopular because many in the city believed the video would be of great pr value. eventually, money changed hands and a permit was obtained to shoot inside the palace of the marquis of salvatierra and at the plaza de toros de ronda, where matador emilio muñoz performed alongside three fighting bulls. madonna wore a fitted suit by john galliano, and other designers who provided accessories included donatella versace and then t

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